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SELECTED EXHIBITIONS / NEW MEDIA FESTIVALS

2024
PLACE: Reckonings by Asian American Artists *; ICA, San Jose, CA

2023
If I’d known then: the Art + Architecture Faculty Triennial*; Thacher Gallery (UCSF), San Francisco, CA

2022
Carlos Villa: Roots, Rituals and Actions*; Asian American Museum, San Francisco, CA
Contemporary Filipino American Art; LH Horton Jr. Gallery; Stockton, CA

2021
A Spirit of Disruption; San Francisco Art Institute; San Francisco, CA
Unbounded Unleashed Unforgiving; Reconsidering Cyberfeminism in 2021 -
New Art City*; College Art Association (CAA) Virtual Exhibition

2020
From the Vault; Swim Gallery, San Francisco, CA
GuiltyParty*; Wing Luke Museum, Seattle, WA
Bahala Na*; ARK Gallery, San Jose, CA
25@25: A Community of Artists*; CSUMB Gallery, Monterey, CA

2019
Choreography of Disclosures: What the Mind Forgets; ProArts Gallery, Oakland, CA
Wander Woman*; Root Division, San Francisco, CA

2018
Manila Biennale: Open City 2018*; Manananggoogle: Recruiting, Intramuros, Manila, Philippines
Our bones are made of starlight*; oneaspace, Kowloon, Hong Kong
WAY BAY; Berkeley Art Museum, Berkeley, CA

2017
Women's March; Public Projections, Downtown, San Francisco, CA

2016
Pulling Threads; Root Division, San Francisco, CA
A Song For Women Living With War; ProArts Gallery, Oakland, CA
Watermelon Woman 3.0; Omi Gallery (Impact Hub), Oakland, CA
Out the Window: Long Live LA!*; LA Freewaves, Los Angeles, CA
4 x 40: Declarations for the New Year; Southern Exposure, San Francisco, CA

2015    
The Dissidents, The Displaced, and The Outliers; Incline Gallery, San Francisco, CA Random Parts Gallery, Oakland, CA 
Glamorgeddon, The Spectacle; SomArts Gallery, San Francisco, CA
Lesbian Lexicon (in collaboration with ks); Tenderloin National Forest, San Francisco, CA

2014    
Projecting SOMA: Youth and Elders' Voices; Public Installation, San Francisco, CA
Open Cities/Open Art Festival, Yerba Buena Center for the Arts, San Francisco, CA
Queer Sites + Sounds; UC Riverside Gallery, Riverside, CA
Drive By Cinema: MANANANGGOOGLE*;Public Performance/Projection, US/Mexican Border, San Diego, CA
Make Things Happen*; Nathan Cummings Foundation, New York, NY

SELECTED BIBLIOGRAPHIES / INTERVIEWS

2022
How one Filipino American artist influenced the work of a generation of others”; Podcast: Filipino artist Carlos Villa exhibit at SF Asian Art Museum shows his influence: NPR: Morning Edition; Chloe Veltman, September 30, 2022*
Renny Pritikin on Carlos Villa”; Renny Pritikin, Squarecylinder.com, June 20, 2023

2020
Guest: IT Manager, Eliza Barrios; From The Source Podcast, Host: Michelle Brenner
"The Global Filipina Body: Contested Nationalism in the Filipina/o Diaspora," Gina Velasco, University of Illinois Press, 2020*
"Inside North Syquia: How the Spirit of Carlos Celdran Lives on in His Former Apartment," Devi De Veyra, Esquiremag.ph, Feb 13, 2020 ("What is Filipino?" mentioned)

2019
"Eliza Barrios," Rawley Clark, Radical Making: Interviews with Bay Area Women of Color in the Arts, ISUU.com

2016
Queering Contemporary Asia American Art", Edited by Laura Kina, UW Press, Fall 2016

2015
Dissidents' Tackle Displacement and Surveillance in Two-Part Exhibition", Emily K. Holmes, KQED Arts, June 3, 2015
"Data and Displacement", Sarah Burke, East Bay Express, May 27, 2015
"The Dissidents, the Displaced and the Outliers':Left out in S.F.", Kimberly Chun, SFGATE, April 29, 2015
"All That Glitters Isn’t Gold: ‘Glamorgeddon’ at SOMArts Gallery", Michele Carlson, KQED Arts, January 14, 2015
Asian American Literary Review: (Re)Collecting the Vietnam War; Cathy J. Schlund-Vials & Sylvia Shin Huey Chong, Volume 6, Issue 2, Fall/Winter 2015

2014
"Twenty years and going strong: Eliza Barrios", Michele Kilmer, thecampanil.com, March 7, 2014
"Artists, Galleries Displaced Amid Tech Boom" (radio interview), KQED RADIO, kqed.org, March 7, 2014
"Troubling Borders An Anthology of Art and Literature by Southeast Asian Women in the Diaspora", Edited by Isabelle Thuy Pelaud, Lan Duong, Mariam B. Lam, and Kathy L Nguyen, January 2014*
"To Organize the World, To Make it Universally Accessible and Useful: Silicon Valley Monsters in M.O.B.’s Manananggoogle Project", Thea Quiray Tagle, CAT, 2014*

SELECTED PANELS, JUROR & LECTURES

2021
Guest Speaker: Filipino Club (Mercy High School); Burlingame, CA

2019
Guest Panelist: LivingRoom Light Exchange, San Francisco, CA

2018
Guest Lecturer: Visual and Public Art Department: Visiting Artist Series, California State University, Monterey Bay, CA

2016    
Guest Panelist: Bridges Career Pane; BAVC, San Francisco, CA
Guest Lecturer: Architecture of Time; University of California at Berkeley, Berkeley, CA
Guest Lecturer: Video Art & Intro to Visual Thinking; University of California at Berkeley, Berkeley, CA

2015    
Guest Panelist: The State of the State: a (Second) Roundtable on Contemporary Filipino/American Art in San Francisco, Asian American Museum of Art, San Francisco, CA 
Guest Panelist: Sangdiwa 2015 (Community Art), San Francisco, CA
Guest Lecturer: Architecture of Time/Video Art; UC Berkeley, Berkeley, CA 

2014    
Guest Panelist: Collaboration, Community and Crisis: a Roundtable on Filipino/American Art NOW, American Studies Conference, Los Angeles, CA

EDUCATION

Masters of Fine Arts, Mills College, Oakland, CA
Bachelors of Art, San Francisco State University, San Francisco, CA

In collaboration with:
*
Mail Order Brides/M.O.B. (Reanne A. Estrada, Jenifer K. Wofford)
**Paz de la Calzada